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RED RAVEN 4.5K Full SET 12시간: ₩350,000 24시간: ₩350,000
INFORMATION



    RED RAVEN Body x 1

    Touch LCD Monitor 5" x 1

    SSD 512GB Memory Card x 2

    SSD 120GB Memory Card x 1

    RED Station x 1

    ARRI LMB25 Matte Box (4"x5.6") x 1

    ARRI Follow Focus FF-5 x 1

    Sachtler DV20 x 1

    Sachtler Tripod Set (BIG,BABY,HI-HAT)

    5.6" MONITOR x 1

    7" MONITOR x 1

    17" MONITOR x 1

    IDX Battery x 8

    IDX Charger x 1




















    SENSOR TYPE


    RED DRAGON 9.9 Megapixel CMOS



    EFFECTIVE PIXELS


    4608 × 2160



    SENSOR SIZE


    23.0 mm x 10.8 mm (Diagonal: 25.5 mm)



    DYNAMIC RANGE


    16.5+ stops



    SIGNAL-TO-NOISE-RATIO


    80 dB



    MAX DATA RATES


    Up to 140 MB/s using RED MINI-MAG



    MAX FRAME RATES 1


    120 fps at 4.5K Full Format (4608 × 2160), 120 fps at 4.5K 2.4:1 (4608 × 1944)
    120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)
    150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)
    240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)



    PLAYBACK FRAME RATES
    (PROJECT TIMEBASE)


    23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions


    REDCODE SETTINGS
    RANGE FROM 2:1 UP TO 22:1 1


    3:1 REDCODE for 4.5K Full Format (4608 × 2160) at 24 fps
    8:1 REDCODE for 4.5K Full Format (4608 × 2160) at 60 fps
    3:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps
    7:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps



    REDCODE RAW
    ACQUISITION FORMATS 2


    4.5K Full Format (4608 × 2160), 2.4:1 (4608 × 1944)
    4K Full Format (4096 × 2160), 2:1 (4096 × 2048), 2.4:1 (4096 × 1728), UHD 16:9 (3840 × 2160)
    3K Full Format (3072 × 1620), 2:1 (3072 × 1536), 2.4:1 (3072 × 1296), 16:9 (2880 × 1620), 3:2 (2880 × 1920)
    2K Full Format (2048 × 1080), 2:1 (2048 × 1024), 2.4:1 (2048 × 864), 16:9 (1920 × 1080), 3:2 (1920 × 1280)



    APPLE PRORES


    422 HQ, 422 and 422 LT at 2K (2048 × 1080) up to 60 fps



    AVID CODECS 3


    DNxHD LB (1920 × 1080) 8-bit up to 60 fps



    TYPICAL MAX RECORDING TIME
    USING RED MINI-MAG 120GB 5


    4.5K Full Format (4608 × 2160) at 24 fps and 11:1 REDCODE: 57 minutes
    4.5K Full Format (4608 × 2160) at 60 fps and 14:1 REDCODE: 29 minutes
    4.5K 2.4:1 (4608 × 1944) at 120 fps and 15:1 REDCODE: 17 minutes



    CONSTRUCTION


    Aluminum Alloy



    WEIGHT


    3.5 lbs (BRAIN with Integrated Media Bay and Canon Lens Mount)



    OPERATING TEMPERATURE


    0°C to 40°C (32°F to 104°F)



    STORAGE TEMPERATURE


    –20°C to 50°C (–4°F to 122°F)



    RELATIVE HUMIDITY


    0% to 85% non-condensing



    AUDIO


    Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
    Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz



    REMOTE CONTROL


    Integrated REDLINK WiFi antenna
    Ethernet, RS232, and GPI Trigger with DSMC2 expander module



    MONITOR OUTPUTS


    3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
    1080p RGB or 4:2:2, 720p RGB or 4:2:2
    480p RGB or 4:2:2 (HDMI only)
    SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio



    MONITOR OPTIONS


    DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection.
    RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.



    REDCINE-X PRO
    DELIVERY FORMATS


    4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
    2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
    1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
    1080p 4:2:0, 720p 4:2:0 : H.264, .MP4



    VIDEO EDITING SOFTWARE
    COMPATIBILITY 4


    Adobe Premiere Pro, AVID Media Composer,
    DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro



    Tech specs reflect both current and projected information. Everything is subject to change.



    1. REDCODE values and max frame rates may vary based on selected acquisition format, aspect ratio, project time base, Lookaround setting, and SSD. For more information on available REDCODE compression settings for all formats, see the DSMC Media Operation Guide.

    2. For more information on available acquisition formats, see the DSMC Operation Guides.

    3. Avid DNxHD/HR Codecs recording support added to DSMC2 firmware v6.3 or later.

    4. Third-party non-linear editing (NLE) applications may have limited compatibility with R3D files.

    5. Estimated recording times represent averages over the course of a typical recording to REDCODE RAW only with Pre-Record disabled and may vary depending on subject matter. It is always recommended to perform your own tests using typical camera settings and shooting conditions.





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