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RED WEAPON MONSTRO 8K VV FULL SET 12시간: ₩1,300,000 24시간: ₩1,300,000
INFORMATION


    RED WEAPON MONSTRO 8K Body x 1

    Touch LCD Monitor 7" x 1

    SSD 960GB Memory Card x 2

    SSD 512GB Memory Card x 2

    RED Station x 1

    ARRI LMB25 Matte Box (4"x5.6") x 1

    ARRI Follow Focus FF-4 x 1

    Sachtler 9+9 Head x 1

    Sachtler Tripod Set (BIG,BABY,HI-HAT)

    7" MONITOR x 2

    17" MONITOR x 1

    CART

    IDX Battery x 8

    IDX Charger x 1

    10m BNC Line x 4

    Filter BOX (ND,PL)



    CURRENTLY SCHEDULING UPGRADES FOR JUNE 2018 AND BEYOND.

    SPECIAL PRICING AVAILABLE FOR WEAPON 8K S35 (LIMITED EDITION) AND 8K VV ANA BRAINS. CONTACT YOUR SALES REPRESENTATIVE FOR INFORMATION.

    The DSMC2 MONSTRO 8K VV SENSOR UPGRADE increases the shooting potential of your BRAIN and upgrades your camera to DSMC2 MONSTRO. The MONSTRO 8K VV sensor enables you to shoot motion and stills in 8K 2.4:1 at up to 75 frames per second (fps), or 8K Full Format at 60 fps with a sensor size of 40.96 mm x 21.60 mm. The warranty on your original BRAIN carries over to your new one.

    At full 8K resolution, the MONSTRO sensor captures 35.4 Megapixel motion and stills. An evolutionary step beyond previous 8K sensors, the MONSTRO sensor has improved overall image quality including dynamic range and shadow detail, and delivers the most advanced VFX solution—with unmatched creative flexibility, in-camera IPP2, blazing fast 300 MB/s data rates, and simultaneous REDCODE and 4K Apple ProRes or Avid DNxHR recording.





    WEAPON 8K VV


    SENSOR TYPE
    MONSTRO 35.4 Megapixel CMOS


    EFFECTIVE PIXELS
    8192 × 4320


    SENSOR SIZE
    40.96 mm x 21.60 mm (Diagonal: 46.31 mm)


    DYNAMIC RANGE
    17+ stops


    MAX DATA RATES
    Up to 300 MB/s using RED MINI-MAG (480GB & 960GB)
    Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)


    MAX FRAME RATES
    60 fps at 8K Full Format (8192 × 4320), 75 fps at 8K 2.4:1 (8192 × 3456)
    60 fps at 7K Full Format (7168 × 3780), 75 fps at 7K 2.4:1 (7168 × 3024)
    75 fps at 6K Full Format (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592)
    96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)
    120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)
    150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)
    240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)


    PLAYBACK FRAME RATES(PROJECT TIMEBASE)
    23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions


    REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:1
    5:1 REDCODE for 8K Full Format (8192 × 4320) at 24 fps
    12:1 REDCODE for 8K Full Format (8192 × 4320) at 60 fps
    2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps
    3:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps


    REDCODE RAW ACQUISITION FORMATS
    8K Full Format (8192 × 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x,1.25x
    7K Full Format (7168 × 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
    6K Full Format (6144 × 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
    5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
    4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x
    3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
    2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x


    APPLE PRORES
    ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps
    ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
    ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps


    AVID CODECS
    DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps
    DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps
    DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
    DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
    DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps


    CONSTRUCTION
    Carbon Fiber, Magnesium, and Aluminum Alloy


    WEIGHT
    3.3 lbs (BRAIN with Integrated Media Bay)


    OPERATING TEMPERATURE
    0°C to 40°C (32°F to 104°F)


    STORAGE TEMPERATURE
    –20°C to 50°C (–4°F to 122°F)


    RELATIVE HUMIDITY
    0% to 85% non-condensing


    COLOR MANAGEMENT
    Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
    Variable number of 3D LUT outputs with DSMC2 expander module
    User programmable shaper 1D LUTs
    Tetrahedral interpolation, 16-bit processing


    AUDIO
    Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
    Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz


    REMOTE CONTROL
    Integrated R.C.P. WiFi antenna
    Ethernet, RS232, and GPI Trigger with DSMC2 expander module


    MONITOR OUTPUTS
    3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
    1080p RGB or 4:2:2, 720p RGB or 4:2:2
    480p RGB or 4:2:2 (HDMI only)
    SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio


    MONITOR OPTIONS
    DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection.
    RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.


    REDCINE-X PRO DELIVERY FORMATS
    4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
    2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
    1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
    1080p 4:2:0, 720p 4:2:0 : H.264, .MP4


    VIDEO EDITING SOFTWARE COMPATIBILITY
    Adobe Premiere Pro, AVID Media Composer,
    DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

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